Features & Reviews
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The Rumpus Mini-Interview Project #61: Thalia Field
Thalia Field’s latest work, Experimental Animals: (A Reality Fiction), published by Solid Objects, is a novel that makes you wonder anew about the possibilities of the genre. Told in the voice of Marie Francoise “Fanny” Bernard, wife of Claude Bernard,…
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A Crown for Gumecindo by Laurie Ann Guerrero
Diego Báez reviews Laurie Ann Guerrero’s A Crown for Gumecindo today in Rumpus Poetry.
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As Close To Us As Breathing by Elizabeth Poliner
Amina Gautier reviews As Close To Us As Breathing by Elizabeth Poliner today in Rumpus Books.
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This Week in Books: The Red Hijab
Welcome to This Week in Books, a new Rumpus column that will highlight books just released by small and independent presses. Books are more important than ever. As we head into a Trump presidency, we’re seeing attacks on basic constitutional rights, increased…
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We Show What We Have Learned by Clare Beams
Stephanie Reents reviews We Show What We Have Learned by Clare Beams today in Rumpus Books.
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The Rumpus Interview with Imbolo Mbue
Imbolo Mbue discusses her debut novel Behold the Dreamers, teaching herself how to write a novel, and the price of the American Dream.
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No More Milk by Karen Craigo
Vivian Wagner reviews Karen Craigo’s No More Milk today in Rumpus Poetry.
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The Rumpus Interview with Vi Khi Nao
Vi Khi Nao on her new novel Fish in Exile, why women shouldn’t apologize (even when they’re wrong), moving between genres, and why humor is vital in a novel full of darkness and grief.
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The Rumpus Mini-Interview Project #60: Leah Kaminsky
Leah Kaminsky’s debut novel, The Waiting Room, depicts one fateful day in the life of an Australian doctor and mother, Dina, living in Haifa, Israel. Dina is trying to maintain normalcy as she goes about her work as a family…
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I Love(d) Dick, but Not the Show
It’s difficult, if not impossible, to convey the arc of a series of letters in a TV show. Words flash on the screen at regular intervals in bright Helvetica.

