Critical Attachment to Geniuses: Ada Calhoun’s Also A Poet
. . . how to simultaneously develop a deep curiosity about cultural icons and maintain a critical distance from them . . .
Features & Reviews
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Hope and Rapture in the Anthropocene: A conversation with Julie Carrick Dalton
. . . fall in love with honey bees, or fall in love with the forest . . .
Loving the questions: Religion and poetry with Jennifer Michael Hecht
Thinking in terms of the poetry of your life is about noticing that you are one of the sentient beings in a universe with billions of galaxies, and your experience is the universe knowing itself and it is weird and messy and painful but it matters.
The Myriad Conflagrations of our Times: Chloe N. Clark’s Patterns of Orbit
In this collection, the reader can slipstream from space shuttle to submarine, from Grimm to Goldilocks to Charybdis, because a cautionary tale that’s never heeded is never out of date . . .
The Spiritual Fact of Our Oneness: A Conversation with Charif Shanahan
“The world is literally and figuratively on fire. Of all the things we could do with our lives, why write poems?”
Strength and Feeling in Motion: A conversation with Henri Cole about Gravity and Center
Horses are a nice metaphor for the sonnet’s strength and feeling in motion. Beauty and violent power come together in an animal form. When I write, I have the feeling of being a rider. As the poem gallops forward, I am knocked about.
Travels in Paradise: Pico Iyer’s The Half Known Life
To try and gain a level of peace amidst the disappointment and chaos of the world is perhaps the only real paradise.
A reflection on reflection: An interview with Katherine Indermaur
I did some research on how the vertical slash was used in different contexts, and fell in love with the Sheffer stroke.
A story is like a nomad: An Interview with Geetanjali Shree
We must return again and again to the whole issue of hegemony of the English language
Language as Possibility: Renee Gladman’s Plans for Sentences
. . . think of Gladman’s work as engaging the imagination the way an architect approaches three-dimensional space with a two-dimensional blueprint.
Learning from Grief: Claudia Putnam’s Double Negative
Among the meanings of Claudia Putnam’s cryptic title is a mathematical one, based on the lower left quadrant of graphs; it is a meaning that she chooses, explicates, and explores…
When The Pipes Inspired the Poets: A conversation with the Boiler House Poets Collective
The Boiler House held a magic, as it turned out, for all of us, with its sound installation clanging and pinging in the background, sun slanting through the pipes, pigeon feathers drifting, an occasional passerby pausing to listen.