The range of prepositions used here in writing about how to write AIDS is indicative of the range of questions encompassed by the book, the range of the “brutal presence” of the disease.
I knew I wanted to be deliberately vague, as to whether something was actually happening. For many people across the world and across time periods, there isn’t always this strong delineation between fantasy and reality.
Hidden within all these constellations and labyrinths of philosophy is a love story and a story about the struggle of a writer to find meaning in words.
She mocked beauty standards and even the condescending tone they had when advising women on how to behave “nicely.” So she obviously did have certain strong leanings.
I found myself as a potential representative of a larger group, which had no representative. There wasn’t a first-person story about Complex Post Traumatic Stress Syndrome, so I thought, “I know how to do this.”