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Features & Reviews

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Conversations with Literary Ex-Cons: Billy Hayes

  • Cullen Thomas
  • December 31, 2013
Billy Hayes, the writer of Midnight Express, candidly discusses his memoir about escaping from a Turkish prison in the 1970s, the pros and cons of having your story adapted by Hollywood, and what the War on Drugs has meant for incarceration.
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Duplex by Kathryn Davis

  • Elizabeth Word Gutting
  • December 30, 2013
Elizabeth Word Gutting reviews Kathryn Davis's DUPLEX today in The Rumpus Book Reviews.
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Dog Songs: Thirty-Five Dog Songs and One Essay by Mary Oliver

  • Damon Marbut
  • December 28, 2013
Damon Ferrell Marbut reviews Mary Oliver's Dog Songs today in Rumpus Poetry.
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The Rumpus Interview with Therese Workman and Tyler Wood of Oh My Goodness

  • Michael Braithwaite
  • December 27, 2013
Therese Workman and Tyler Wood talk about growing up in Maine and what it's like to be DIY in the music industry today.
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Straight Razor by Randall Mann

  • D. Gilson
  • December 27, 2013
D. Gilson reviews Randall Mann's Straight Razor today in Rumpus Poetry.
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The U.S.A. Trilogy by John Dos Passos

  • Will Augerot
  • December 26, 2013
Will Augerot reviews John Dos Passos's THE USA TRILOGY today in The Rumpus Book Reviews.
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Blitzkrieg by John Gosslee

  • Christopher Linforth
  • December 25, 2013
Christopher Linforth reviews John Gosslee's Blitzkrieg today in Rumpus Poetry.
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Wonder Women by Debora L. Spar

  • Briana Fasone
  • December 24, 2013
Briana Fasone reviews Debora L. Spar's WONDER WOMEN today in The Rumpus Book Reviews.
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The Rumpus Book Club Interviews Hilton Als

  • The Rumpus Book Club
  • December 24, 2013
The Rumpus Book Club chats with Hilton Als about his new collection White Girls, an intriguing amalgam of fiction, essay, and memoir.
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A Prayer Journal by Flannery O’Connor

  • Oliver Baez Bendorf
  • December 23, 2013
Oliver Bendorf reviews A PRAYER JOURNAL by Flannery O'Connor today in The Rumpus Book Reviews.
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The Rumpus Interview with Beth Lisick

  • Evan Karp
  • December 23, 2013
Beth Lisick, writer and the co-founder of Porchlight, the monthly storytelling series and a San Francisco institution, sits down to chat about collecting her shames, working with City Lights on her newest book, the act of telling stories in public, and the messiness of being a human.
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The Sunday Rumpus Review: Interrobang by Jessica Piazza

  • Mag Gabbert
  • December 22, 2013
In the first sonnet of the sonnet sequence “People Like Us,” the speaker says, “By day I play nonstop if/then, internally pluck a love me, love me not lament…” This…
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