A Conversation with Adam Rosen about anthologies and the worst movie ever made
I was looking for people who had something to say beyond This is the dumbest movie of all time.
Features & Reviews
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SKETCH BOOK REVIEWS: Three Faves
A roundup of great books that didn't make it into Sketch Book Reviews this year
A World Where We Are Known and Loved: Shelley Wong’s As She Appears
to be seen is not the same thing as being known
A joyful expression of femininity and play: Talking dolls with Maria Teresa Hart
In which one Samantha interviews another.
Take Your Divagations Seriously: Geoff Dyer’s The Last Days of Roger Federer
The Last Days . . . has nothing much to do with tennis or with Roger Federer, who appears sparingly in these pages . . . [nor is it] “intended to be a comprehensive study of last things, or of lastness generally.”
The Answers Usually Come from Somewhere Unexpected: An Interview with Emma Winsor Wood
If you go to a poetry reading, the aphoristic moments are usually where the audience lets out a collective “hmmm” or “ahhh”—almost before the poet has finished the sentence.
American Mothers are Screaming: A conversation with Jessica Grose
I think people want more unstressed time with their kids. I think so much of the time we are spending with our kids we are exhausted, and we have all this other stuff on our minds that’s mentally draining, physically draining. But the answer is not always more childcare.
The Art of Attention: Jill Christman’s If This Were Fiction: A Love Story in Essays
“If you really want to look at someone, then your only option is to look at yourself, squarely and deeply.”
Boys and Oil: Taylor Brorby on Making Space for Queer Stories on the Great Plains
I developed two books. One I called “The Gay Book,” and one I called “The North Dakota Book.” Well, those are the same book, as you can imagine.
Threats of Violence: Discussing Pain, Form, and Cinema du Corps with Author Stephanie LaCava
There is a hyper self-awareness in all my work that acknowledges—teases itself, maybe—what it is addressing and from what entry point. I once modeled in a campaign for socks I designed for a skate label and on the box there was a small excerpt from one of my books.
When Writing about Pain is Political: In Sensorium by Tanaïs
In In Sensorium . . . Tanaïs inhabits their pain fully and seeks new ways to describe and transcend it through scent, rather than just words.
Embracing the Half-Wild Creature: A Conversation with Sara Moore Wagner
That giant “unknown” that we’re hurtling towards is so vast. One day we’ll be torn apart by it.