Features & Reviews
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As with Vigor, As with Pain: A Review of How to Love Everyone and Almost Get Away with It
Egger’s sentences jump from one point to another, perhaps mirroring in her language how the speakers jump from one bed into another—the next temporary stop is wherever desire leads her to be.
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The Cost of Belonging: Augusto Higa Oshiro’s The Enlightenment of Katzuo Nakamatsu
In this vortex of language and culture, the translator’s task is all the more essential and Jennifer Shyue’s translation from Spanish is both precise and poetic. In addition to the music of the prose, Shyue does justice to the multiple…
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“Being in Uncertainties”: A Conversation with Maureen N. McLane
A lot of poems want to place you in the darting mind of the poem. Some want to address you—as “the beloved,” say, or as someone hated, or they implicitly situate you as an overhearer of such an address. But…
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Amnesia and Abject Terror Are Prerequisites: A Conversation With Ruth Madievsky
You don’t read literary fiction if you’re looking for tight little answers to life’s mysteries.
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The Burden of Being Real: Nicole Flattery’s Nothing Special
To see oneself and one’s people as real: this is the only way out of the shadow of the special.
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The In-Between-ness of Things: An Interview with David Groff
What would it mean to embrace being generative? To have a different way of taking on a responsibility for creating more life on the planet?
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Twenty-five Years Unbound: Reading a Book of AIDS
The range of prepositions used here in writing about how to write AIDS is indicative of the range of questions encompassed by the book, the range of the “brutal presence” of the disease.
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On abandoning words: Carlos Fonseca’s Austral
Hidden within all these constellations and labyrinths of philosophy is a love story and a story about the struggle of a writer to find meaning in words.
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The World is a Shitting Bird: A Conversation with Emilie Moorhouse
She mocked beauty standards and even the condescending tone they had when advising women on how to behave “nicely.” So she obviously did have certain strong leanings.
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The Presence in Absences: A Conversation with Gina Chung
The only way you can care for your art is to care for yourself.
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Killing One to Save Many: Javier Marías’s Tomás Nevinson
Marías is one of those gifted writers whose style sets him apart from other writers, whose authorship is apparent on every page he writes.
