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Features & Reviews

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What might my gaze reveal? An Interview with Erica Berry

  • Kate Finegan
  • February 22, 2023
I suppose I’m obsessed with how we buffer uncertainty.
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Queer Revisioning and Incomprehensibility: Sabrina Imbler’s How Far the Light Reaches

  • Mai Tran
  • February 21, 2023
Imbler never fails to demonstrate that a different way of life is possible.
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The Person Is Not The Body: An Interview with Rushi Vyas

  • Rajiv Mohabir
  • February 20, 2023
I think, as writers, we only have so much choice. Obsessions emerge from our lived experience.
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Science and Symbols: An Interview with Kevin Jared Hosein

  • Michelle Ajodah
  • February 15, 2023
I like to say this is a novel about split-second decisions, because either you go for it or you sink into the water and be forgotten.
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It’s Not Cancel Culture, It’s Scam Culture: Jinwoo Chong’s Flux

  • Emma Staffaroni
  • February 14, 2023
“Can we separate the art from the artist?” If you’re like me, you’ve been in more than a few versions of this particular conversation. You could even, at this point…
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When Craft Becomes an Act of Love: An Interview with Gayle Brandeis

  • Janet Rodriguez
  • February 13, 2023
I want to be fully present for whatever I'm doing, whether it's teaching, or writing, or being with people I love.
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  • What to Read When

What to Read When: You Want to Think Kaleidoscopically About Place

  • Erica Berry
  • February 10, 2023
A stitch that sews both self and world into being.
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Clearing the Bar with Care and Complexity: Ada Limón’s The Hurting Kind

  • Landon Porter
  • February 8, 2023
The Hurting Kind’s epigraph, a quote from Argentine poet Alejandra Pizarnik [implores] us to “Sing as if nothing were wrong. / Nothing is wrong.” When we read Limón, we can almost believe that.
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This Is All the Time We Get: A Conversation with Felicia Chiao

  • Tria Wen
  • February 8, 2023
I've been drawing the figure alone in interiors for a long time, and when the lockdown happened, my work blew up. I recognized, “Oh, suddenly everyone's depressed at the same time.”
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Hometown Humbling: Delia Cai’s Central Places

  • Anson Tong
  • February 7, 2023
The shame is cumulative.
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All the World is a K-Drama: A Conversation with Matthew Salesses

  • Chelsea Voulgares
  • February 6, 2023
I wanted to be able to frame the story within this understanding that these are powerful forces and that these are stories we’ve heard a lot before, and that these stories get in the way of, or make it hard to understand or even listen to, a more authentic or more real story about who people are or can be.
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All Storytelling is Nonbinary: An interview with Jennifer Savran Kelly

  • Jennifer Fliss
  • February 1, 2023
People who feel safe and able or who have privilege should use the space they create for themselves to make more space for people from marginalized communities. We all need to hold space for one another.
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The Rumpus publishes original fiction, poetry, literary humor writing, comics, essays, book reviews, and interviews with authors and artists of all kinds. Our mostly volunteer-run magazine strives to be a platform for risk-taking voices and writing that might not find a home elsewhere. We lift up new voices alongside those of more established writers our readers may already know and love. We want to bring new perspectives into the conversation that will make us all look deeper.

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