Features & Reviews
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The Rumpus Interview with Sari Botton
We sit down with Sari Botton, long-time Rumpus contributor and author of our “Conversations with Writers Braver Than Me” column, to talk about her new anthology, Goodbye To All That: Writers on Loving and Leaving New York, and more.
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The Sunday Rumpus Interview: Charles Blackstone
At the launch of his new novel, Vintage Attraction, the multi-talented Managing Editor of Bookslut sits down, over a figurative glass of fine wine, to spill his passions.
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The Silence of Doorways by Sharon Venezio
Lisa Cheby reviews Sharon Venezio’s The Silence of Doorways today in Rumpus Poetry.
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Light and Heavy Things: Selected Poems of Zeeshan Sahil
Diego Báez reviews Light and Heavy Things: Selected Poems of Zeeshan Sahil today in Rumpus Poetry.
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The Rumpus Interview with Nick Antosca
Nick Antosca, author of the recent collection The Girlfriend Game, talks about balancing fiction and writing for TV, hypnotism, horror films, and packing a lot of crazy shit into his stories.
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One Hundred Apocalypses and Other Apocalypses by Lucy Corin
Michael Jauchen reviews Lucy Corin’s ONE HUNDRED APOCALYPSES AND OTHER APOCALYPSES today in The Rumpus Book Review.
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The Rumpus Interview with Jesmyn Ward
Jesmyn Ward, author of the memoir Men We Reaped, speaks candidly about handling grief, exploring place, and “the fragile balance of writing accurately without perpetuating stereotypes and archetypes.”
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Life Cycle by Dena Rash Guzman
Ryan Werner reviews Dena Rash Guzman’s Life Cycle today in Rumpus Poetry.
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THE RUMPUS INTERVIEW WITH ELEANOR FRIEDBERGER
When Eleanor Friedberger (one half of The Fiery Furnaces) penned her solo debut, Last Summer, she didn’t show it to anyone until it was finished. Now that she has released her follow-up, Personal Record, she has learned the value of…
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Bough Down by Karen Green
Kyle Boelte reviews Karen Green’s BOUGH DOWN today in The Rumpus Book Review.
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The Sunday Rumpus Review: Something Wrong with Her by Cris Mazza
Mazza wants to raise the issue prominently, but not to resolve it. In a way, she seeks to create for us the discomfort, the lack of resolution she feels in her own life.
