Features & Reviews
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The Saturday Rumpus Interview with Cecil Castellucci
Cecil Castellucci, perhaps the most wonderfully prolific and brazenly genre-busting author in Los Angeles, has worn many hats in a celebrated life in the arts
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Striven, the Bright Treatise by Jeffrey Pethybridge
Jody Smiling reviews Jeffrey Pethybridge’s Striven, the Bright Treatise today in Rumpus Poetry.
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The Rumpus Interview with Daisy Fried
Poet Daisy Fried talks shop about the avoidance of being a Mommy Poet, machismo, how to create a poet advice columnist, and why “women’s poetry” is best compared to a tricked-out car.
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THE LAST BOOK I LOVED: Eleanor & Park
I was born in 1986, the year that this story takes place, but like Eleanor I remember sitting on a boy’s carpet and feeling uncomfortable and excited and getting mixtapes and shaking for hours after kissing someone once.
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Small Porcelain Head by Allison Benis White
Marcus Myers reviews Allison Benis White’s Small Porcelain head today in Rumpus Poetry.
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All That Is by James Salter
James Salter’s new novel, All That Is – his first in thirty-four years – is a masterpiece. At the moment, the span of years between Salter’s books has got people interested in him. In a recent New Yorker profile, Nick…
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Johns, Marks, Tricks, and Chickenhawks: The Rumpus Interview with Chester Brown
Chester Brown is an award-winning Toronto cartoonist who wrote the graphic memoir Paying For It
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To See the Queen by Allison Seay
Sally Rosen Kindred reviews Allison Seay’s To See the Queen today in Rumpus Poetry.
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The Rumpus Interview with Jess Walter
Novelist and short story writer Jess Walter explores fathers and sons, addiction, creating a Statistical Abstract, finding inspiration in the grocery store, and writing from a pure place of empathy.
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I Await the Devil’s Coming by Mary MacLane
“One good thing about being a woman,” writes Sheila Heti in How Should a Person Be?, “is we haven’t too many examples yet of what a genius looks like.” Heti’s character is being facetious, or maybe not, it’s hard to…
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The Rumpus Interview with Karl Briedrick of Speck Mountain
Lyrically, it’s about longing for something to change, longing for something to happen within the context of a relationship where it hasn’t felt like anything’s been happening for a long time.
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In the House Upon the Dirt between the Lake and the Woods by Matt Bell
Werner Herzog explained that what Kinski saw as sensuality in the jungle (during the filming of Fitzcarraldo), Herzog thought of as “overwhelming and collective murder.” We begin In the House Upon the Dirt between the Lake and the Woods in…