Features & Reviews
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Super Hot Prof-on-Student Word Sex: Peter Stenson
Just like that, I knew I’d been bamboozled. Stenson could write. The rest of the story sailed past and I found hardly a single occasion to complain, which is, for Super Hot Profs, a legitimate cause for despair.
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Hurrah’s Nest by Arisa White
Gina Vaynshteyn reviews Arisa White’s Hurrah’s Nest today in Rumpus Poetry.
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The Big Idea: Eve Ensler
Writer, journalist, activist, and lifelong feminist Eve Ensler talks with Suzanne Koven and explores the body’s relationship to the desecration of the earth, the importance of listening to the “real” in ourselves, and how it feels to be known as…
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The Rumpus Interview with Elliott Holt
Writer and Rumpus contributor Elliott Holt sits down to discuss her debut novel, You Are One of Them, her preoccupation with secrets, and working in 1990s Moscow during Russia’s economic transition.
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Tennessee Landscape with Blighted Pine by Jesse Graves
Heather Dobbins reviews Jesse Graves’s Tennessee Landscape with Blighted Pine today in Rumpus Poetry.
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Public Sex, Private Lives: The Rumpus Interview with Simone Jude
I wanted to present three complicated portraits that raise important questions, not just about what it means to be a porn performer, but what it means to be a sexually open woman
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The Rumpus Interview with Caroline Paul and Wendy MacNaughton
Discussing their collaborative book, Lost Cat: A True Story of Love, Desperation, and GPS Technology, Caroline Paul and Wendy MacNaughton tackle neighbors, sexuality, and the fetishization of pets.
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The Rumpus Interview with Adam Braver
Adam Braver is a novelist, professor, and human rights activist, though not always in that order.
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The Interestings by Meg Wolitzer
The first 100 pages of Meg Wolitzer’s The Interestings are just that: interesting, but short of compelling. In the late sixties, six teenagers meet at an arts camp named Spirit-In-The-Woods and coin themselves The Interestings, because in the insular world…
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The Rumpus Interview with Missy Mazzoli
We talked to composer-performer Missy Mazzoli about the sometimes invisible world of new classical music, her relation to it, and what she’s doing to help to redefine what it means to be a composer in the 21st century.

