J.D. Salinger’s Holden Caulfield famously said that the mark of a great author is whether, after reading their work, you want to call them up to talk, want to gab…
J.M. Benjamin spent more than twelve years in state and federal prisons in New Jersey, New York, and Pennsylvania. But he read and read in prison, and eventually wrote more than a dozen urban fiction novels.
Susan Straight has remarkable range as a writer. Her voice can be elegant in the rhythms and vocabulary of her narrative, yet also blunt and raw in dialogue. In her…
David Abrams served for twenty years in the U.S. Army. He talks to us about his debut novel, Fobbit, a tragicomic rendering of things he observed in Baghdad.
I am not impressed with writers who refuse to use punctuation or capitalization; that gimmick has been famously used already, so now it comes across as lazy and unoriginal. Also,…
Stories by Delmore Schwartz are not nearly as abundant as stories about Delmore Schwartz. While the latter may be more amusing, they are ultimately tragic, for that is how Schwartz…
I wasn’t surprised to read recently that Junot Díaz, in last week’s New York Times Sunday Book Review, named Krys Lee’s story collection, Drifting House, as one of the two best he’d recently read.
Three quarters of the way through Alex Forman’s multimedia paean to presidential minutiae, Tall, Slim & Erect: Portraits of the Presidents, you hit this candid entry from Harry Truman’s 1947…
The cover of Allan Peterson’s Fragile Acts, in print and as eBook, is as visually compelling as the cover of Rebecca Lindenberg’s Love, An Index, the first poetry selection in…
It’s hard to write well about the Internet. This is partly, as many have noted, because life on a screen is already mediated, so to write about these corners of…
Elizabeth Crane’s We Only Know So Much focuses on the lives of a bunch of messed up people. Really messed up people, in fact. Okay, there’s a great deal more…