Features & Reviews Archives - Page 47 of 773

why deer and poetry mix so well: A conversation with Caitlin Scarano

When you say, “Oh I run, but I’m not a runner,” it’s like when people say, “Oh I write, but I’m not a writer.” You’re doing it. You just do it and it does get better and there are simple things you can do to make it easier.

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On the Mystery of Eating Meat: Springer Mountain by Wyatt Williams

If you eat meat, then you are an animal who kills other animals. Humans are not alone in this, but more than all other creatures of the earth, we have gotten grotesquely good at it.

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I Don’t Sing to Be Heard, I Do It to Keep On: An interview with Ashanti Anderson

“It is impossible to be at peace without understanding.”

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Life is Damage: A Conversation with Claire Messud

If you’re interested in character, then you’re interested in perspective, and intimacy, and in the distinctions—and distance—between one person’s mind and another’s.

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Reading Achy Obejas’s BOOMERANG/BUMERÁN as Indelible and Recursive Testimony

A review of BOOMERANG/BUMERÁN, a bilingual poetry collection from Achy Obejas available now from Beacon Press.

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A Breathtaking and Terrifying Expanse: Quan Barry’s When I’m Gone, Look for Me in the East

“The distances are staggering. It could take you an hour to drive to a spot on the edge of the horizon, yet that spot feels like it’s just within reach,” Barry writes. “This is what it means to live on the steppe. There are no walls between you and nature. You are nature.”

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Running Straight Into the Devastation: Reyna Grande Goes to War

Reyna Grande is the author of several books, including the bestselling memoir, The Distance Between Us, (Atria, 2012) and the sequel, A Dream Called Home, released in 2018. Her latest novel, A…

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What to Read When You Want to Bend Time

The works . . . interrogate time in text through myriad forms, playing with and revealing its machinations all through inventive means. Like the waves and fragments of memory, many of them swerve outside the lines of stiff categorization.

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Candy from Strangers: A Conversation with Jennifer Egan

We can try to perform our inner lives, but we can't actually reveal them. We can create a simulacrum, which is so much of what I see on social media, and that simulacrum is entertainment. It’s exciting because we all love the whiff of authenticity, and the more mediated our culture feels, the more we crave it, but we can't actually give it away. We cannot actually break through the barrier of our individual aloneness.

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When To Believe an Unreliable Narrator: Eliza Clark’s Boy Parts

The aestheticization of violence in literature, like other representations, can be deceiving.

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The Subconscious Repository of Weird Things: A Conversation with Ananda Lima

Poetry allows me to say the thing without a million conjectures. It leaves a lot of space and allows words to resonate and connect without me having to take you there . . . because of the conventions of poetry, I can say things that are understood as a gate to the truth.

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