Complicating Cancel Culture: A Conversation with Christine Ma-Kellams
Subconsciously, when writing my own work, I want to make sure that people understand how these characters became who they are.
Features & Reviews
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The First Book: Eddie Ahn
The themes in the book subsequently shaped the story’s chronology and created a different style of graphic storytelling, connecting my family’s history with my community work and service.
Embodiment as a Sensorial Practice in Saretta Morgan’s Alt-Nature
Morgan practices the language of collective and enumerated ecologies . . . lexicons we often consider distinct, without an ecotone.
Mother-Daughter Bonds and the Power of Greek Myth: A Conversation with Ann Batchelder
My hope is that as a society we can emphasize compassion over stigma and treatment over punishment.
Holding a Mirror to Realism in The Novices of Lerna
His fictional world, as presented in this novella, develops a split truth, one where narrative reality and absurdist abstraction hang in the balance.
Confronting the Climate Crisis through Fiction: A Conversation with Mary Annaïse Heglar
You write a book to get over something. You read a book to get into it.
We Are Weird and We Are Not Alone: A Conversation with Mary Biddinger
We are going to need nature more than ever before. We also need to continue being kind to each other and to uplift other writers whenever we can.
Is this the Danish Girl, Interrupted? Fine Gråbøl’s What Kingdom
“Have you ever confused a dream with life?”
“I have to go behind my back to get anything done”: A Conversation with Jackie Wang
. . . the reader animates you. And yet you’re also constrained in some way by that relationship that you form with the audience.
A Panoptical View of Slough: On Sylvia Legris’s The Principle of Rapid Peering
Scattered with a sparse collection of the poet’s original sketches . . . the poems move through the slanted and repetitive months of the pandemic, bleeding into “self-digesting” seasons.
The Bloodier Your Hands, the More Loyal You Become to the System: A Conversation with Sarah Langan
The thing about cults, they indoctrinate. They whitewash. They blind us to better alternatives.
A Dance of One’s Own: Nicolette Polek’s Bitter Water Opera
The return of someone deceased is a common enough trope, but where it is normally horrific . . . Polek initially runs jolly with it.