One time I was reading Haruki Murakami and I thought: if I had the chance, would I ever ask him why his characters always vanish? I’m not sure I’d want to. Maybe he doesn’t know either.
In her essay “Speaking in Tongues” in The New York Review of Books, February 26, 2009, Zadie Smith examines Barack Obama’s doubleness, not just his biracial genetic history but how…
Katy Lederer’s poems are both romantic and political in nature. With their attention to formal and lyrical concerns, these poems tackle the problems of desire when it coincides with money…
Jeff Parker‘s narrator watches from a dryer as the woman he’s laid claim to slinks off (and into bed) with a stout beef named Brick. The narrator confronts his rival,…
In A Jury of Her Peers, Elaine Showalter chronicles the history of female American writers, from captivity narratives to Annie Proulx. Salon calls her “the woman for the job” due…
The hero of Rodes Fishburne’s first novel, Going to See the Elephant, comes to San Francisco with only a trunk full of first-edition19th-century novels and an equally heavy load of…
Publishers Marketplace reports that Harpers has agreed to publish “The Sea is My Brother,” a “lost” novel by Jack Kerouac, written in 1942 and based on his experiences in the…
For Mary Miller’s characters, the world is anything but big. These are women trapped in little towns and little lives, but the emotional resonance is limitless.
Though once upon a time Noah Webster wrote a dictionary to reflect the ever growing and changing language of American English, the Oxford English Dictionary does regularly update their logs…