Reviews
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A Halfway House Where No One Leaves
In three very different but equally gorgeous sections, Griffith guides us through every poetic form from sonnet to villanelle, all while examining the idea of what it means to be in one place instead of all others, what it means…
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The Art of Shame
Wayne Koestenbaum’s Humiliation considers the humiliations of our lives and culture – from Liza Minelli to Eliot Spitzer to his own father.
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Profoundly Compassionate
If you harbor desires for truly deserved happy endings and sharply drawn prose, then you will relish every page of Liz Moore’s new novel Heft.
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Decades of Nothing Between
These poems are often about the strange, complex and imperfect mapping of nature—human and wild—onto our 21st century lives.
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My Fruit Bat, My Gewgaw
These poems are about unintentional association, the ways our minds wander even when — especially when? — they’re trying to wrap themselves around a given idea.
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Adventures in the Narrative
Lawrence Weschler’s collection of essays, Uncanny Valley, compiles some his best essays with the same perspective that he brings to each essay – an impulse to find the subtle convergences in the mundane.
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My Affairs Are Just My Questions
And it is a voice—perhaps a bit apprehensive and damaged by experience—that seems willing to express it all, even the ugly and cruel.
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A People of Savage Sentimentality
John Jeremiah Sullivan’s Pulphead should be hailed not simply as a fabulous piece of writing but as a landmark debut of a new genre, invented by others but perfected here.
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Write What You Don’t Know
Ann Beattie’s collagist new novel, Mrs. Nixon: A Novelist Imagines a Life, questions the inherent value of fiction.
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Sitting In
Will Boast’s debut story collection, Power Ballads, is tied together by a compelling and evolving drummer named Tim, who will stay with you long after you finish the book.