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Reviews

2652 posts
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It’s Just My Books I’m Burning!

  • Barbara Berman
  • August 26, 2011
Djordjevic’s rhythms provide a strong scaffolding throughout this powerful, necessary volume. In Oranges and Snow we have an outstanding example of the literary enterprise.
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One of Us Is Already Gone

  • Adam Palumbo
  • August 24, 2011
[York] never sinks into oblique facts, but he does not forget them, either. He never ignores the simple truth that he is writing poetry, and crafts a collection that is…
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The Personal is Political

  • Tori Schacht
  • August 23, 2011
Narrated by young Nuri, Hisham Matar’s second novel, Anatomy of a Disappearance, tells of a father abducted by a corrupt regime—a story that closely resembles Matar’s own life.
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Baffled, Bursting, and Barely Contained

  • Michele Finkelstein
  • August 22, 2011
A collection of flash fiction from five authors, They Could No Longer Contain Themselves unites distinct, compelling voices into one bursting collection.
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The Dead Man’s Back Arches

  • Lois Bassen
  • August 19, 2011
The collection works as poetic biography and Whitmanesque dialogue, and this approach and its repetitions become irresistibly hypnotic.
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Wings Wands Stars Tulle

  • Sean Singer
  • August 17, 2011
These poems have all the instinct and fangs of a canine, and the plush, electric fur of a wolf: the intensity and sheer quality of workmanship in the poems is…
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The Moon Rises

  • Vicki Gundrum
  • August 16, 2011
Glen Duncan’s new novel The Last Werewolf is sophisticated and horrifying and elegant and not for Young Adult readers, who would need a thesaurus, a history tutor and sedation.
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To the Language of Doves

  • Matthew Siegel
  • August 12, 2011
Darwish’s identity (and the Palestinian identity) has been, at least partly, developed in exile. Darwish writes: “I am absence./ The heavenly and the expelled.” Here he speaks not only for…
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Emerging Empathy

  • Jessica Gross
  • August 11, 2011
In The Chairs Are Where the People Go, Shelia Heti and Misha Glouberman explore all topics that Glouberman cares about, including feeling like a fraud, seeing John Zorn play Cobra,…
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Slashed Narcissi, Drilled Stone

  • Nate East
  • August 10, 2011
In physics terms, the poetry world is underground “all the way down,” so Influence lurks in each sea cave like a bastard eel, recharging in darkness, awaiting his next dinner…
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Kids Kill Art or Art Kills Kids

  • Hannah Gersen
  • August 9, 2011
With a unique family led by performance artist parents, Kevin Wilson’s The Family Fang warns of the dangers of conflating art and life.
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The Cows in The Cows

  • David Bartone
  • August 8, 2011
Lydia Davis’s new chapbook The Cows documents the lives of her neighbor’s cows.
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