Why We Make Gardens abounds with… lyricism and in doing so may serve as explanation. We make gardens and poems and art to achieve gentle charms of word and life.
The unsentimental and honest display of Levin’s attitudes towards loss – her own losses as well the ways that others grieve their lost loved ones – is both moving and…
Emma Straub’s debut collection of stories, Other People We Married, is full of quirky, thoughtful, resonating characters and has earned her comparisons with Lorrie Moore.
In Double Shadow, suffering puts its hypothermic hand on the backs of all living creatures. In that sense, it might help to think of it as a spiritual book, a…
The Chameleon Couch proves itself an expertly crafted book from a poet peaking in his awareness and execution of all the tangled dialectics that manifest in his art.
John Wilwol reviews Tea Obreht’s new novel, The Tiger’s Wife, which vibrates with the low rumble of unanswered and unanswerable questions that keeps us up at night.
Like the poems it contains, The Takeaway Bin as a whole is a response to something commonplace; one might even say it’s a book of copings with or responses to…
[T]his is no Rand McNally; what makes the collection exciting is Iredell’s delicious sense of humor, his play with language and the dexterity with which he varies his voice.