With the precise and true texture of ordinary experience, Jo Ann Beard’s new novel, In Zanesville, follows an unnamed narrator through her adolescence.
Michael Dickman’s poems inhabit a place in which “morning makes its way up the street as a loose pack of wild dogs” and we find ourselves—through his sharp pronoun use—feeling…
In her new novel, The Adults, Alison Espach tells the story of one girl carefully stepping over that unbridgeable gap between childhood and adulthood, and nearly falling to pieces in…
In The Flight Cage, Rebecca Dunham adopts and manipulates the personas of historical, usually literary, women to explore the various confinements and resistances that they—and by extension, all women—endure.
Vogelsang is sometimes so restless its hard not to wonder how and when he sleeps, and he makes the reader confront the question of whether sleep, or any kind of…
In Mark Childress’s latest novel, Georgia Bottoms, his eponymous heroine is a mash-up of Southern women from popular culture, but that is no reason not to read it.
The affection Joshua Harmon has for Poughkeepsie is the kind one might have for an alcoholic uncle or an abusive neighbor who occasionally tells good stories. The only love here…