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Reviews

2652 posts
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My Single Star Is Gone

  • Michael Klein
  • March 9, 2011
Michael Klein reviews Invisible Strings by Jim Moore today in Rumpus Poetry.
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Color Plates

  • J. A. Tyler
  • March 8, 2011
Built on a walk through a privately-owned museum, a four-chambered version of art, Color Plates is not an easily defnable book.
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Freak Flag Fly

  • Melissa Broder
  • March 4, 2011
[T]his is no Rand McNally; what makes the collection exciting is Iredell’s delicious sense of humor, his play with language and the dexterity with which he varies his voice.
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Behold My Clearance Discounts

  • Kathleen Rooney
  • March 2, 2011
Nick Demske operates with a kind of magnetic-yet-repulsive force, powerfully driven by various tensions of opposites.
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While the Women Are Sleeping

  • Matt Lehman
  • March 1, 2011
Doppelgängers, ghosts, and philosophical riddles about the nature of identity make up Javier Marías’ new collection of short fictions.
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The Heart of Nothing Much That Mattered

  • Kenny Squires
  • February 28, 2011
Alan Heathcock’s stories are linked by the town of Krafton—where missing teenagers hang from trees and all anyone wants to do is get out.
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When Tar Roads Came In Barefoot Age

  • AB Gorham
  • February 25, 2011
Les Murray seems to want to make his experiences into some kind of shared history. In fact, this blurred line between personal memory and shared history is the spine to…
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I Remember a Black Fog

  • Barbara Berman
  • February 23, 2011
Cedar Sigo avoids the usual pitfalls when exploring queer identity, minority identity and a political perspective thinking progressives can work with. He isn’t trite. He is never overwrought, and he…
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The Diviner’s Tale

  • John Madera
  • February 22, 2011
Morrow’s supple prose is grounded in lyricism, prose unafraid to give the reader both the forest and the trees. Bradford Morrow’s new novel, a feminist interpretation of fairy-tale tropes, explores…
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The Air in the Cages is Dust

  • Kate Angus
  • February 18, 2011
One of the great strengths of this book is Flynn’s refusal to luxuriate in self-importance. Instead, he displays a consistent awareness that the poetry of war is not war itself,…
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Like an Amputee’s Phantom Itch

  • Kristina Bernard
  • February 16, 2011
Whether you’re an admirer or a stranger to her work, Rachel McKibbens awakens and haunts with selfless honesty.
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The Whole World Clanked Like an Iron Shovel

  • David Peak
  • February 11, 2011
The horror of watching the self separate from the self—the schism of self-awareness—it’s almost vertigo-inducing. Kocot’s gift as a poet is being able to explain such complexity with such uncompromised…
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