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Reviews

2652 posts
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Walking Shadows

  • Kevin Nolan
  • November 23, 2010
A “novel without words” captures the turmoil of the working class: public housing, alcoholism, youth violence, adult bitterness, boredom, crime, and drugs.
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I Know My Brother In the Mirror

  • Sean Singer
  • November 19, 2010
Michael Klein’s then, we were still living is a thoughtful, emotional book that treats death in a fresh, even endearing way.
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Tales of Woe

  • Andrea Scrima
  • November 16, 2010
Tales of Woe descends from one circle of hell to the next, an act of sabotage against the Hollywood narrative of sin, suffering, and redemption.
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I Hotel

  • Luke Gerwe
  • November 15, 2010
The National Book Award finalist explores the roots of Asian American activism and paints a vivid portrait of revolutionary San Francisco.
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Things That Work Are Muffled and Mute

  • Weston Cutter
  • November 12, 2010
Through rigorous consideration, with patient generosity, Valerio Magrelli’s poetry allows all his subjects—broken machines, utterances, each of us—to be our own streets, and in such a transfixing world, a circle…
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Player One

  • Kenny Squires
  • November 11, 2010
The latest novel from Douglas Coupland critiques contemporary culture, but lacks fresh perspectives.
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Soften the Razor’s Edge, the Reign of Terror

  • Barbara Berman
  • November 10, 2010
Many poems, and many more lines, couplets and quatrains in Opal Sunset are superb, making their lesser companions wan imitations of what Clive James can really do when his interior…
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Why They Cried

  • Glenn Lester
  • November 9, 2010
These stories by Jim Hanas are about something important: how much suffering arises in the gap between our public identities and whatever kernel of self is left inside.
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The Marriage Artist

  • John Wilwol
  • November 8, 2010
In Andrew Winer’s insightful novel, an art critic struggles with his wife’s infidelity and suicide, and a painter deals with life in Hitler’s concentration camp by creating Jewish marriage contracts.
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10 Mississippi

  • Weston Cutter
  • November 5, 2010
This book is seductive because, page by page, poem by poem, 10 Mississippi is cyclic and aswirl, is… as flowing and eddying as the river of the title.
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Sprawl

  • Cora Fisher
  • November 4, 2010
“Dear Mrs. McLuhan: The end of a tube of toothpaste can cause guilty feelings and a sense of alienation. It’s a question of family values. You make the call.”
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A Dialogue at the Core of Her Being

  • Dean Rader
  • November 3, 2010
Ai successfully blends personal autobiographical poems with her trademark dramatic monologues, making for a truly original text—a kind of personified hybridity—that is both haunting and humorous.
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