I Know Why the Caged Bear Sings
A collection of stories from a Romanian-American writer, nominated for a Northern California Book Award, juxtaposes stories from the old country and the new.
Reviews
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Disinclined to Mislead Anyone
Lantz forces us again and again to reexamine the way we see through such juxtaposition of facts as well as through the voices of characters who search for and experience…
The Devil and Sherlock Holmes
David Grann compiles a decade of investigative profiles from The New Yorker and elsewhere in a compelling study of the dark side.
you are a little bit happier than i am
Reading these poems makes me want to write and this is a book that I will probably come back to often when I feel stuck or uninspired. The poems in…
The Dollhouse Within
What does it mean to be “in the house,” to be held in place in an age of motion, of fleeting relationships, realities, and contexts?
Bobcat Country
Page after page, Bobcat Country stirs both the counter-intuitively satisfying “Should I be reading this?” queasiness of the Confessional poetry of Berryman, Sexton, and Snodgrass, and the unsettlingly provocative “Is…
Happy Now?
A debut novel about a young husband’s suicide explores the pain, confusion, absurdity, and even humor of grief.
Water the Moon
In the strongest poems in Water the Moon, the complex relationships between language and image underscore Sze-Lorrain’s themes of alienation and homelessness in a way that allows the reader to…
Misadventure
Millard Kaufman’s posthumously published novel evokes noir films of the past in the contemporary labyrinth of Los Angeles.
Cradle Song
Cradle Song is more than poetry. Stacey Lynn Brown has written a cultural history of the south, of its tenuous and tendentious relationships, of the complicated and often disturbing power…
Stars of the Night Commute
Stars of the Night Commute is a tremendous first book by a poet who has been publishing for some time now… One distinctive feature of Božičević’s work is that her…
The Resistance of Memory
Ander Monson attempts to move beyond “the singular authority of ‘I’ in nonfiction,” exploring new possibilities for the memoir form.