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Reviews

2646 posts
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Tech Is Boring: Uncanny Valley by Anna Wiener

  • Jefferson Lee
  • June 10, 2020
Luckily, Wiener offers us more than eloquent masochism.
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The Poem Must Forgive: E. J. Koh’s The Magical Language of Others

  • Bessie Taliaferro
  • June 3, 2020
Empathy and forgiveness must begin with understanding.
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How to Write about Nothing: Kate Zambreno’s Drifts

  • Sean McCoy
  • May 27, 2020
But the evasion is purposeful, and the purpose is to marvelous effect.
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A Tightrope Act: Frozen Charlotte by Susan de Sola

  • Maryann Corbett
  • May 22, 2020
It’s de Sola’s genuineness in portraying this tightrope act that is Frozen Charlotte’s chief virtue.
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Frenetic, Excitable, and Direct: Sylvie Baumgartel’s Song of Songs

  • Kate O’Donoghue
  • May 15, 2020
This poem lets her—the speaker and Baumgartel—be too much.
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Everything Is Alive: Dunce by Mary Ruefle

  • Monica Uszerowicz
  • May 8, 2020
Ruefle’s memories are as alive as the bodies holding them.
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On Loss of Land and Loss of Girlhood: Taneum Bambrick’s Vantage

  • Aria Aber
  • May 1, 2020
Girlhood remains, like the land, a constant site of male fascination, desire, and violence.
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The Joypain of Parenting: Lydia Kiesling’s The Golden State

  • Kyle Winkler
  • April 29, 2020
This is both the exercise and exorcism of motherhood.
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Inhabitation and Invocation: Candice Wuehle’s Death Industrial Complex

  • Hannah V Warren
  • April 24, 2020
The speaker must believe in transience, in shapeshifting without permission.
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Queer Logic: Females and My Autobiography of Carson McCullers

  • Amelia Possanza
  • April 22, 2020
“Everyone is female, and everyone hates it.” A provocation. An invitation.
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Barbara Berman’s National Poetry Month Shout-Out

  • Barbara Berman
  • April 17, 2020
Barbara Berman reviews seven poetry collections to celebrate National Poetry Month.
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Man vs Man vs Nature: Beyond the Sea by Paul Lynch

  • Matt Walker
  • April 15, 2020
So begins an odyssey of survival. Will they make it?
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