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Reviews

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Melodic, Honorable Engagement: Ryan Vine, T. R. Hummer, and Norman Finkelstein

  • Barbara Berman
  • March 1, 2019
Reading Vine, Hummer, and Finkelstein, in an era in which people often feel almost flattened, we rise.
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Closing the Loop: Sophia Shalmiyev’s Mother Winter

  • Margaret Malone
  • February 27, 2019
I am mother. I am child. I am mother. The overlapping, hard-won truth—victim either way, saved either way.
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Peripheral Terror: Total Recall by Samantha Giles

  • torrin a. greathouse
  • February 22, 2019
There is horror in how a memory can be altered or rendered “false” by exterior forces.
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Leaving a Record: Valeria Luiselli’s Lost Children Archive

  • Amelia Possanza
  • February 20, 2019
How does what we choose to document dictate whose lives matter?
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Delicious Courage: Lynn Melnick’s Landscape with Sex and Violence

  • Risa Denenberg
  • February 15, 2019
Melnick’s craft is in the extreme language and unfamiliar syntax which blends a brew that, while bitter, is also intoxicating.
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Both/And: Republic Café by David Biespiel

  • Christian Anton Gerard
  • February 8, 2019
How is one to make sense of making catastrophe and making love in the same moment?
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Through the Translator’s Lens: Ewa Hryniewicz-Yarbrough’s Objects of Affection

  • Melissa Oliveira
  • February 6, 2019
For Hryniewicz-Yarbrough, language provides a stronger connection with the past than nationality alone.
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An Atlas of Unmappables: Jennifer S. Cheng’s Moon: Letters, Maps, Poems

  • Julie Marie Wade
  • February 1, 2019
Reading Moon was a hypnotic experience for me, simultaneously immersive and elusive.
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Urgent Connections: Negative Space and Too Afraid to Cry

  • Barbara Berman
  • January 25, 2019
There’s no such thing as too much of this kind of light, especially in dark times.
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Violence and Tenderness: The Explosive Expert’s Wife by Shara Lessley

  • Han VanderHart
  • January 18, 2019
Lessley's poems remind us: “Because to cry's / a sign, to cry is proof, / there's life.”
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Not a Blueprint: Casey Gerald’s There Will Be No Miracles Here

  • Zakiya Harris
  • January 16, 2019
[T]his book is Gerald’s attempt to construct his own narrative as best as he can, and it’s successful.
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The Illusion of Wholeness: Sophie Collins’s Who is Mary Sue?

  • Jeannine Hall Gailey
  • January 11, 2019
When reading this book, expect your notions of speaker—and even what a book of poetry is—to be challenged.
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