In his searing, soulful second collection, Gerard uses the language that is poetry to invite the reader in to the experience of his darkest and brightest moments.
Kavan’s masterful and exacting prose never lets us forget that violence has to do with the human—specifically with the man—starting with the violence of language itself.
[W]hat’s so startling about these poems is how Dubrow spends her poetic energies grappling with the classical treatments of the past to thrilling and unexpected effects.