Kavan’s masterful and exacting prose never lets us forget that violence has to do with the human—specifically with the man—starting with the violence of language itself.
[W]hat’s so startling about these poems is how Dubrow spends her poetic energies grappling with the classical treatments of the past to thrilling and unexpected effects.
It is late for our country. We must look back in dialogue with the founders, examine a patched-together country, an embattled flag, and consider how to stop floundering.
In Thousand Star Hotel, the bilingual writer’s struggle with expressing himself in English becomes a metaphor for the immigrant’s struggle with navigating the host nation’s hostile-yet-lucrative social terrain.
At its core, the collection is recollected through a loose chronology of memoir essays, all of which will appeal to readers’ younger selves: who were we when we were teenagers and who are we now?