Ward’s Mississippi Is Our Mississippi: Sing, Unburied, Sing by Jesmyn Ward
Capturing the Delta in harrowing detail, Ward takes readers on a journey from her own home of the Gulf Coast to the Mississippi State Penitentiary.
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Let Us Be Singing Fools: Norman Finkelstein’s The Ratio of Reason to Magic: New & Selected Poems
If poetry is to remain a bulwark against the flagrant coarseness and cruelty at work in this moment of history, Norman Finkelstein’s work belongs right here with us.
Naming Our Phantoms: Tim Taranto’s Ars Botanica
There is no way to classify a response to pregnancy. It is what it is, which is why people find consolation in naming their phantoms. In this case, the phantom is named Catalpa.
A Tour de Force of Grief: Sun & Urn by Christopher Salerno
The winner of the 2016 inaugural Georgia Poetry Prize, Sun & Urn is gloomy and luminous, nostalgic and hopeful, moribund yet brimming with life.
Gentrification Looks Like Us: Making Rent in Bed-Stuy by Brandon Harris
Harris thoughtfully examines what happens when privilege and lack of privilege are forced to coexist in the same neighborhood—and, occasionally, in the same apartment.
Coursing Byways and Biographical Thoroughfares: Karin Roffman’s The Songs We Know Best: John Ashbery’s Early Life
I’ve long found that when reading Ashbery’s poetry it’s easy to lose track of just who the poet is.
Girls Who Know: Jenny Zhang’s Sour Heart
Confessional without the shame of confession, the best stories in Sour Heart feel like they are being poured from a girl heart right to your ear.
Glimpsing the Colors of the World: Nancy Chen Long’s Light Into Bodies
As a white mother of biracial children myself, this book became for me an opportunity to glimpse, for a moment, the colors of the world, and of skin, as my children might.
Scripting New Narratives: Mandy Len Catron’s How to Fall in Love with Anyone
I can’t help but wonder what if, in detangling love stories and our relationships to them, Catron is building yet another narrative—an anti-narrative, perhaps—of love.
Entering an Open Doorway: Marjorie Agosín’s Las Islas Blancas / The White Islands
Agosín’s poems, though quiet and seemingly simple, linger with an interior elasticity that does not break.
Not Your Typical Hero: Hostage by Guy Delisle
Against the muscular inevitability of Hollywood heroism, Hostage introduces the possibility that, in the face of the incomprehensible, we might remain ourselves.
A Reluctant Chronicling: Natalie Shapero’s Hard Child
“I typically hate discussing the past,” the speaker admits in the title poem, “Hard Child,” then a few poems later, a little more defensively—“I swear to God I hardly think of the past."