Grief Is Not Regret: May Cause Love by Kassi Underwood
When women do not want a pregnancy, we may not experience the marvel and awe some claim are instant and “natural”—or, if we do, they are overshadowed by fear, and grief.
Reviews
2632 posts
Say Everything: The Fact of a Body by Alexandria Marzano-Lesnevich
Truth is complicated, thorny, and often paradoxical. Marzano-Lesnevich advocates for a version of events that doesn’t attempt to simplify its subjects, that doesn’t reduce human life to weak metaphors.
Earnest, Funny, and Fun: Chen Chen’s When I Grow Up I Want to be a List of Further Possibilities
What makes Chen’s poetry so exhilarating is that these poems always have a center of gravity—the self—that keeps the many subjects they explore in orbit.
Embrace the Physical World: Touch by Courtney Maum
Touch is a compelling argument that we should embrace the physical world, genuine human connections, and reject the technology that comes between us and other people.
Unbridled Power in All Its Majestic Terror: Will Bardenwerper’s The Prisoner in His Palace
As we begin our own Age of the Strongman, Hussein’s almost effortless manipulation—of soldiers expecting exactly that behavior—shows how susceptible we all might be to the sheer force of a big personality.
Poetry That Makes You Nearly Miss the Plane: The Complete Works of Pat Parker edited by Julie R. Enszer
In other words, sometimes we need to be jolted out of our predictable behaviors and routines. We need the kind of reading that scatters us, pulls and weaves our cerebral, emotional, and visceral chains.
When Theory and Fiction Collide: Savage Theories by Pola Oloixarac
Theory and fiction have a history. They’d been flirting with each other for centuries and now regularly engage in textual intercourse.
Controlled Burns: Meadowland Take My Hand by Pamela Hughes
It's old news that there’s poetry in decomposition, but welcome news that Jersey has such an astutely musical young voice.
The “Reality” of Memoir: Delphine de Vigan’s Based on a True Story
Memoirists are not transcriptionists of their pasts, recalling conversations verbatim. They are artists, whose job is to interpret the lived history through an artistic lens.
An Ambitious Atlas of Fears: Catherine Pierce’s The Tornado Is the World
Pierce’s poems approach danger from surprising angles. Do you fear the tornado? Then come inside it and hear it speak.
The Many Faces of Arab Culture: Salt Houses by Hala Alyan
Narratives like this one complicate and humanize America’s simplistic view of Arab cultures, toppling the flimsy idea that Arab people are intractably Other.
Worlds Full of Demons: Chavisa Woods’s Things to Do When You’re Goth in the Country
We must ask ourselves: who stands in the shadows of our national persona, both historically and in the nation’s literature? Woods raises the question, and her work points toward an answer.