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Reviews

2651 posts
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Fantasy Is a Writer’s Most Powerful Weapon: Literature Class, Berkeley 1980

  • John Flynn-York
  • April 20, 2017
The reality of the horror cannot be put into words, cannot be realistically described; it can only enter through imagination.
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Living Outside the Narrative in Elif Batuman’s The Idiot

  • Sean Carman
  • April 18, 2017
The Idiot dramatizes the alienation, and even heartbreak, of losing the narrative thread of your existence.
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What It Means to Hold and Be Held in Jennifer Givhan’s Protection Spell

  • Laura Page
  • April 14, 2017
The book explores ambiguities—in terms of race, in terms of motherhood, but especially in terms of the body and the subconscious.
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The Myth of the Troubled Female in Sorry to Disrupt the Peace

  • Liza St. James
  • April 11, 2017
Sometimes it's necessary to shift one's moral compass, and sometimes it's necessary to destroy it.
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The Lucky Ones Are Those Who Do Not Disappear

  • Kim Liao
  • April 10, 2017
Pachico offers is an anthropological view of small, beautifully evoked human experiences—an ethnography of survival, memory, and nostalgia.
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Lines Like Poems unto Themselves: Anthony Madrid’s Try Never

  • Lucy Biederman
  • April 7, 2017
My favorite poems in this book aren’t my favorites because of what they say or do as poems, but because they have the best individual lines.
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Celebrating Failures in Nell Stevens’s Bleaker House

  • Kelsey Osgood
  • April 6, 2017
Who has time for Writer Problems in the midst of all these PROBLEMS?
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Science Is Sexy in There’s So Much They Haven’t Told You

  • Siel Ju
  • April 4, 2017
In the first story of this collection, a girl learns the shocking truth that the world is made of atoms, that “when you get right down to it, it’s all just studs and holes.”
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Ariel Levy’s Queer Generation

  • Elizabeth Stark
  • April 3, 2017
The playful sense of shifting identity applies to feminists, to writers, to anyone who chooses to believe we can reinvent ourselves.
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Going Beneath the Scarred Exterior in She May Be a Saint

  • Sonja Johanson
  • March 31, 2017
Nichols wants us to know that, like every woman scorned, whether by an individual or by society, her maenad was initially innocent and loving. Beneath a scarred exterior, that innocent still resides.
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Biblical Rebels and Romantics in The First Love Story

  • Brian Gresko
  • March 30, 2017
Adam and Eve are the Bible's most infamous couple: Bonnie and Clyde, year zero.
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The Strangely Plausible Abyss of American War

  • Nathan Webster
  • March 28, 2017
In Akkad’s dystopian scenario, the US faces a resurgent Mexico and a vast and newly powerful North African-Arabian empire.
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