Film
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Erasing the Girl: Why Don’t We Trust Women to Tell Their Stories of Disordered Eating?
I didn’t want to criticize her, or demand explanations from her. I just wanted to hear her speak.
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Empathy Is Cheap: A Conversation with Brandon Harris
Brandon Harris discusses his memoir Making Rent in Bed-Stuy, gentrification in New York City and Brooklyn, the homogenization of American cities by corporate America, and whiteness of film culture.
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There Is Simply No Time for This: Whose Streets? and Civil Rights Cinema
It is unlikely I will see the US justice system evolve toward an egalitarian ideal in my lifetime. But Whose Streets? does offer a clearly visible North Star.
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Fetishizing Distress: The Wrong Light and Sex Trafficking
Josie Swantek Heitz’s and Dave Adams’s The Wrong Light, theatrically released in NYC through Cinema Guild on July 14, is disturbing on several levels. First, there’s the story itself. The filmmakers set out to create a portrait of the Children’s…
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The Rumpus Review of It Comes at Night
“It” does not even “come” in the traditional sense. These primal, atavistic qualities are with us all the time, lying dormant until the right situation coaxes them forth.
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Watch After Adderall Free Tonight!
After Adderall is a feature film by Rumpus founder Stephen Elliott reimagining the absurd experience of having one’s book translated into a film. The movie stars Mickaela Tombrock and Bill Heck and features Lili Taylor, James Urbaniak, Ned Van Zandt,…
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How The Keepers Reframes Confession as a Feminist Act
Critics have noted how The Keepers is similar to other prestige documentaries but with a significant difference—its focus on the victims and their stories.
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Out of the Trenches: The Rumpus Review of Wonder Woman
If there was ever a case for women avoiding Botox, Diana’s signature skepticism for the patriarchy is it. She has never encountered womanhood as subordinate, and she’s not about to start.
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Lone Star Cinema
In clinging to a set of memories that fade more every day, maybe I’m also clinging to an idyllic version of my own past.
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Susan Sarandon, “Bernie Bro” Politics, and White Privilege
As a longtime fan, it pains me to say it, but Sarandon is everything that’s wrong with mainstream, non-intersectional white feminism.
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Casting JonBenét and the Pageantry of Brokenness
It is an uncomfortable admission, but we hunger for stories that sensationalize the extremes of human behavior. We want to crawl under the police tape and see the outlines of bodies.
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Don’t Think Twice and the Power of Improvising through the Unknown
It’s a little extraordinary when you realize that you’re the one getting in your own way.