Brandon Harris discusses his memoir Making Rent in Bed-Stuy, gentrification in New York City and Brooklyn, the homogenization of American cities by corporate America, and whiteness of film culture.
It is unlikely I will see the US justice system evolve toward an egalitarian ideal in my lifetime. But Whose Streets? does offer a clearly visible North Star.
Josie Swantek Heitz’s and Dave Adams’s The Wrong Light, theatrically released in NYC through Cinema Guild on July 14, is disturbing on several levels. First, there’s the story itself. The…
“It” does not even “come” in the traditional sense. These primal, atavistic qualities are with us all the time, lying dormant until the right situation coaxes them forth.
After Adderall is a feature film by Rumpus founder Stephen Elliott reimagining the absurd experience of having one’s book translated into a film. The movie stars Mickaela Tombrock and Bill…
Critics have noted how The Keepers is similar to other prestige documentaries but with a significant difference—its focus on the victims and their stories.
If there was ever a case for women avoiding Botox, Diana’s signature skepticism for the patriarchy is it. She has never encountered womanhood as subordinate, and she’s not about to start.
It is an uncomfortable admission, but we hunger for stories that sensationalize the extremes of human behavior. We want to crawl under the police tape and see the outlines of bodies.