Just because you don’t succeed the way others define success, you’re not a failure. You just chose to take a different path. And who’s to say that’s wrong? I just…
Ed Ruscha, photographer of twenty-six affectless Standard gas stations in LA, Every Building on the Sunset Strip, and painter of words floating in space, with or without a setting, is…
In San Francisco this week, David Sedaris, a night with Kevin Smith, the SF Jewish BookFest, and a Haunted Laundromat. Monday 10/26: Learn more about one of the cornerstones of…
In New York this week, James Frey and Maira Kalman at the CLMP Spelling Bee, members of The National collaborate with visual artist Matthew Ritchie in The Long Count at…
Friday October 16, the New Yorker opened its annual weekend festival of readings, conversations, art tours and musical performances. This is my account of the events I attended, which included…
Synth Britannia is a documentary about the emergence of British synth pop (trailer here), from the “sinister” 1971 Moog score for A Clockwork Orange to Depeche Mode, and the Telegraph…
Abel Ferrara has attempted, with mixed success, to capture a little bit of the legend and a little bit of the sordid actuality of the Hotel Chelsea in his new…
Recently I bought a copy of Farber on Film, and I’ve been flipping through it, sporadically reading here and there; last week I happened across his famous piece on Sunset…
This week, Chinua Achebe speaks, n+1 in conversation with Reihan Salam and Ross Douthat, Jonathan Lethem reads, composer/drummer Bobby Previte with Psychedelic Furs’ Knox Chandler, photographer Jeff Wall presents more…
How exactly did Maurice Sendak’s beloved children’s story become a feature length film for the inner children of an entire generation? It took a lot of tinkering, and nearly a…