The Believer just published an interview by Sheila Heti with Agnès Varda, whose first film, La Pointe Courte (1954), is sometimes thought of as the first breaker in the nouvelle…
It’s funny, the word choice in the title of Jennifer’s Body, the gory horror-comedy from, improbably enough, the writer and producers of Juno, 2007’s teen pregnancy comedy.
This week in New York, Charles Simic reads, Spin Mag hosts Salman Rushdie, The New York Film Festival opens, Philip Seymour Hoffman stars in Peter Sellars’ production of Othello and…
Let the Right One In (the movie) (Tomas Alfredson, 2008) Somehow makes vampires feel fresh. Fascinating aesthetic: colorless cinematography, minimal dialogue, affectless acting. Touching, scary, tender. An astonishing little girl.…
I recently read “The Invention of Hugo Cabret,” a sort of hybrid graphic-young adult novel by Brian Selznik that tells a fictionalized story revolving around Georges Méliès, the frenchman who…
For his role in Steven Soderbergh’s The Informant! as corporate executive turned whistleblower Mark Whitacre, Matt Damon gained something like thirty pounds. He didn’t need do it to look like…
There’s an interview with Rudy Wurlitzer over at Chuck Palahniuk’s site; we recently reviewed his first novel, Nog. Although the introduction features some questionable vocab (Wurlitzer is said to be “imminently”…
It must take guts to embark upon a film like 9, Shane Acker’s dark and thrilling feature-length version of his 2005 short film of the same name. Thick with paranoid…
My family was recently out of town for a five days, leaving me home alone with over 800 pages (no exaggeration) of student work to read and comment upon. My…
Sizing up history is a tricky business: You can generally recognize that something is significant long before you can really say why or how. So it is with the Internet…
Rumpus contributor Michelle Orange just posted a scream of an article in The New York Times about women in horror films. Specifically focusing on the upcoming Jennifer’s Body, the article…