Robyn Schiff talks about her collection A Woman of Property, the long con of “owning” land, her passion for early novels, how motherhood changed her poetry, and the generative powers of form.
My first gynecologist tells me that my vagina is on the smaller side of the normal range. I use this as a justification for why, at eighteen, I still can’t get a tampon in more than a quarter of an inch past my hymen.
Kristopher Jansma discusses his second novel, Why We Came to the City, facing adulthood in his thirties, and working through grief and loss in writing.
Director William Cusick discusses his new film, Pop Meets the Void, its unconventional narrative structure, simultaneously acting and directing, and the universal urge to create.
Jessa Crispin talks about The Dead Ladies Project and The Creative Tarot, founding Bookslut, why she has an antagonistic relationship with the publishing industry, and her estrangement from modern feminism.
Perhaps he thought he was doing me a favor by explaining this to me so I might not get into further trouble. I’m afraid I have continued to get myself into trouble instead.