Gomorrah is a self-conscious repudiation of gangster movies like Scarface; a reminder that the classy foot soldiers of The Godfather and the bumbling mafiosi of The Sopranos have very little…
“The majority of the film is realistic and the ending is more surrealistic, but for me surrealism is realism too. It’s just not as common. It’s as real as the…
As much as these poems tap into a mythic story of the West, they are not linear narratives, but circuitous maps of anxiety and desire, a portrait of an inner world masquerading as meditations on people and place.
The enchantment of Dangerous Laughter is not merely a function of the tales themselves, but also of the way in which Millhauser tells them – with careful, attentive prose that…
“You can’t just stick a rocketship on the cover of a book and expect it to sell. That’ll work for the Hard SF readership, but that’s not going to sell…
“The style in the second collection is more developed, more established. I feel like I’m more mature as a storyteller now and I also know what kind of stories I…
The Friday the 13th teenagers, including those in the franchise reboot that opens this week, are a superior breed of dumb. The kind of dumb that makes someone who knows…