The Rumpus Interview with Don Waters
“That gorgeous cholla cactus outside the window also has horribly sharp spines. The desert is an incredibly violent environment. Plants and animals had to get mean as hell in order…
Rumpus Originals
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The Shorty Q & A with T Cooper
T Cooper is has been labeled a transgender writer, but to boil it down to a phrase so simple and limiting is an insult. After two critically acclaimed novels, Some…
The Last Bastion of Jim Crow
The Order of Myths is a film too nuanced to confront lynching directly, and too focused to make any easy statement about racism.
A Questioning Faith
A Review of Dan Albergotti’s The Boatloads I have a special place in my heart for literature that juxtaposes the sacred and profane, that challenges perhaps the most successful meme…
The New York Comic-Con Experience in Three Parts
There is nothing like the thrill of heading off to a convention for rabid fanboys, geeks, cosplayers, and those who simply enjoy letting their inner freak flag fly across 10th…
The Sky Below
A.J. Liebling once remarked that the authors of newspaper obituaries are “a frustrated and usually anonymous tribe.” That’s certainly true of Gabriel Collins, narrator of Stacey D’Erasmo’s unusual new novel,…
The Shorty Q&A with Mary Roach
Mary Roach has written best-selling books about dead bodies, ghosts, and fucking. Her work is accessible and unflinching, presenting a variety of quirky or unsavory topics in a manner distinctive…
An Interview with Spoken Word Legend Bucky Sinister
"That was my other big misconception. That if I got sober and went to a meeting they'd make me believe in God. Not true."
Do We All Have a Story?
To a certain extent, asking if we all get a passion is like asking if we all have a story to tell.
The Rumpus Interview with Lisandro Alonso
“If tomorrow I have to quit filmmaking, I will. I’m not going to sell my house for a project, that’s for sure. If I have to go back and work…
Beyond the Pleasure Principle
A review of Vienna Triangle, by Brenda Webster Vienna Triangle is much more than the construction of a fiction around historical facts and figures.