In the Basement Era all you needed was a steady hand, a screwdriver, some Scotch tape, and the nerve to believe that a cassette tape could be broken into...
Editor and author George Hodgman talks about his new memoir, Bettyville, what makes for a good memoir, and returning to his hometown of Paris, Missouri from New York to take care of his aging mother.
Writing requires sustained attention to what figures, disfigures, and refigures our imaginations and includes a vision that takes every experience into account.
Bestselling author Erik Larson talks about his new book, Dead Wake, his transition from journalism to history, and what, in his opinion, makes a first-rate nonfiction novel.
I was proud of living on unlucky 13 when some buildings on Park Avenue didn’t even have a 13. My luck changed when the new elevator man, Keith, arrived.
Author Antonio Ruiz-Camacho speaks about his new collection, Barefoot Dogs, breakthrough stories, the writing process, and why translating his book for readers in Mexico feels like a homecoming.
Liz Prato talks about her debut story collection, Baby's on Fire, why she enjoys the process of revision, and what the phrase "literary citizenship" means to her.
...editing a collage can be like editing a poem or a story. The act of taking things out will often make a piece breathe easier and come to life with a simpler beauty.
Author Maggie Nelson talks about matrophobia, “sodomitical maternity,” breaking down categories between genres of writing, and her new book, The Argonauts.