Ann Packer discusses her most recent novel The Children's Crusade, artistic mothers, the writer and her “first principle,” and the fight to like your own characters.
How does one scene impress itself on us, so that we remember it better than we should if we were in it? Or rest, just below the surface, present, but unnoticed?
What do we as writers tell each other about the intersections of trauma and desire? How do we encourage (or discourage) each other to reveal the power and tensions in those margins?