Sean Wilsey discusses his latest book of essays, More Curious, being David Foster Wallace’s neighbor, the healing power of the American road trip, and the difference between writing fiction and memoir.
Kill Bill is revolutionary because it disrupts both content and genre, beautifully showcasing what these superhero-action stories so consistently overlook, while embodying the success of what the genre could achieve.
Author Jeremy Hawkins discusses his debut novel, The Last Days of Video, the resurgence of the independent bookstore industry, and allowing nostalgia to have presence but not precedence in one’s life.
I was excited to see the New York Times’s announcement that a regular column by the writer Geoff Dyer called “Reading Life” would be appearing in their weekend Book Review. I was even more intrigued and, somehow, encouraged, when eventually it appeared only three times.
Author Kara Richardson Whitely discusses her new memoir, Gorge: My Journey Up Kilimanjaro at 300 Pounds, surviving food addiction and the trauma of being molested, and what comes next.
As a culture, we tend to place more significance on the mystique of death than the actual event. We avoid considering the details: the transportation of the body down to the morgue, the excising of the organs, the decay of the skin within the tomb.
Standing at the pool’s edge, he planted his eyes on the V-shape of my body where my legs met at my hips, where I felt the water drip. I saw his brown irises turn hard and hungry.
"Master fictioneer" Matthew Baker talks about his new middle grade novel, If You Find This, artists as tricksters, his favorite comic strips, and why children are still capable of believing in impossible things.