An Answer Should Lead to Another Question: Talking with Rae Armantrout
Rae Armantrout discusses Conflation, a vinyl recording from Fonograf Editions that “interrogates the difference between texture and tactile; thing unspoken versus thing unseen.”
Poetry
2340 posts
Playing with Genre: Beth Ann Fennelly’s Heating & Cooling
Whether you read it as poetry or memoir, this collection will invite you into the delicate balance between the challenging, sometimes squalid, human condition and the beauty and sadness of the transcendent.
Rumpus Original Poetry: Three Poems by Rachel McKibbens
I cut off my nose, / her nose collapses. / Chop down my hair & / hers shrieks from the sink. / How many poems do I / have to write ‘til she / gets dead, how many / live-wire syllables?
A Deeply Human Act: Don’t Call Us Dead by Danez Smith
What is so extraordinary about this collection is its lyricism, its humanity, and its urgency.
There Is No Break: A Conversation with Nicole Homer
Poet Nicole Homer discusses her debut collection, Pecking Order, writing motherhood from many angles, and the importance of representation in the media.
The Rumpus Poetry Book Club Chat with Kaveh Akbar
Kaveh Akbar discusses his new collection Calling a Wolf a Wolf, finding community in poetry, books on craft, and mining the supernatural for poems.
Reclamation and Redemption: Villain Songs by Tammy Robacker
Robacker's language, steeped in religion and myth, creates an avenue for her own salvation while invoking a timelessness that gives voice to all whose song has been suppressed.
The Rumpus Mini-Interview Project #104: sam sax
I could write a bullet list of sam’s sax’s recent accomplishments, but the wiser thing would be to advise you to pick up his newly released book MADNESS.
Rumpus Original Poetry: Four Poems by Hala Alyan
Nothing’s Freudian anymore. A cigar’s a cigar. I want to love something. / I want to love something without having to apologize for it. Please don’t tell.
The Last Poem I Loved: “The Cinnamon Peeler” by Michael Ondaatje
How different the world of the poem was from Saudi culture, which draped me in black and insisted, it often seemed, on One Truth.
Both Companion and Guide: Jeannine Hall Gailey’s Field Guide to the End of the World
I recommend you pull over now. Better yet, I recommend you call in sick and turn your car around. You’re going to want to read this book in one solitary burst...
Imagination Is Like Grace: Meghan O’Rourke’s Sun in Days
A poem doesn’t bring the dead back to life, but a memory has a touch of immortality: it’s a sort of recompense—forever isn’t exactly a lie, even if it’s not completely true.