Humor
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FUNNY WOMEN #62: Call It What It Is
I go to the League For Undocumented Students. I have an appointment to see one of their counselors.
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Sugar’s Identity Revealed?
Walter Green, genius designer behind the original Write Like a Motherfucker logo, takes a stab at Sugar’s true identity.
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FUNNY WOMEN #59: Looking for Best Friends, m4ww
Craigslist is unfiltered potential. It’s criteria gone crazy. In a single day, you can get ripped off, score free kittens,
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FUNNY WOMEN #58: As Seen on TV
A day in the life of a woman whose life is exactly how all TV ads think it is: The first thing I do when I wake up is dance-twirl to the kitchen and pour myself a bowl of Special…
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Wilson/Huggins: Kissing America’s Heart
Last month I announced my candidacy for Office of the President of the United States of America.
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FUNNY WOMEN #57: That’s Absolutely Not What She Said
The infamous “She” of the “That’s What She Said” jokes has released a new tell-all book making shocking claims about the joke’s validity.
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FUNNY WOMEN #56: This NPR Pledge Drive Is Getting Out Of Hand
Now more than ever, NPR could use your help. Facing federal cutbacks, we rely on our listeners to donate, and we’re pleased to offer some great premiums in return for your generosity.
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Is Me Really Monster?
Via McSweeneys: “When me get back to apartment, after cookie binge, me can’t stand looking in mirror—fur matted with chocolate-chip smears and infested with crumbs. Me try but me never able to wash all of them out. Me don’t think…
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FUNNY WOMEN #54: Thomas Hardy Isn’t Jane Austen; Get Over It
They hated the ending. I knew they would. They always hate the ending. “They” means my university students. “The ending” means the last chapters of Thomas Hardy’s novel Far From the Madding Crowd (1874).
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FUNNY WOMEN #53: An Editors’ Slush-Pile Meeting at the Backdoor Review
At Backdoor Review, we receive tens of thousands of submissions. We’ve collected a few cover letters and reprinted them now (without permission) with manuscript comments from our editors in italics.