10:04
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Still, Life: Intimacies by Katie Kitamura
I’ll never see Kitamura’s exhibition in real life, but I’m still grateful to have been invited to the opening.
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A Curious Swarm or Energy: Talking with Rachel B. Glaser
Rachel B. Glaser discusses her newest poetry collection, HAIRDO, her writing process, and the books and writers that have influenced her.
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All This Craziness
It doesn’t seem right to write a novel set in the contemporary that isn’t shot through with all this craziness. For Electric Literature, John Freeman profiles Ben Lerner, MacArthur genius and author of books written by accident that revel in “privileged…
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Learning to Love
Maybe the best reading leads us to struggle with ourselves. Jennifer Audette writes about the messiness of learning to love the metafiction of Ben Lerner for the Fiction Writer’s Review: But then again, why do I need the narrator to…
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The Art of Literature
Literature often depends on the strategic disappointment of expectation. Sometimes, the effect of that is humorous; at other times, it’s unnerving: I consider it crucial to the composition of a novel. Laughter is physical; it involves the body of the…
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An Inconvenient Fiction
Invoking his new play, Buzz, Benjamin Kunkel writes in the New Yorker about how “few imaginative writers have dealt with the present-day experience of global warming in a direct and concentrated way” and why this might be the case: If…
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Re-Referencing the Self
When Tao Lin asked Ben Lerner about his new novel’s epigraph, Lerner touched on the merits of the parable: I think the parable is a peculiar way of saying that redemption is immanent whether or not it’s imminent, that the world…
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Word of the Day: Atelier
(n.); artist’s studio or workshop; c. 1840, from the old French astelier (“carpenter’s workshop, woodpile”) “Part of what I loved about poetry was how the distinction between fiction and nonfiction didn’t obtain,” [Lerner] says, “how the correspondence between text and…