The Rumpus Mini-Interview Project #90: Erika Carter
Erika Carter’s debut novel Lucky You tells the story of three young women in their early twenties who leave their waitressing jobs in an Arkansas college town to embark on…
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1990s
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The Rumpus Book Club Chat with Samantha Irby
Samantha Irby discusses her new essay collection, We Are Never Meeting in Real Life, all that comes along with writing about your life, and reading great horror books.
Slang and Swagger: Riffing with Jeff Chang
Jeff Chang discusses his latest book, We Gon’ Be Alright: Notes on Race and Resegregation, his work in hip-hip journalism, and the beauty and humanity of political protest.
The Unbearable Whiteness of Being: Claudia Cortese Discusses Wasp Queen
Poet Claudia Cortese talks about her new book Wasp Queen and Lucy, the rebellious 90s teen whose voice inspired the collection.
The Rumpus Poetry Book Club Chat with Adrian Matejka
Adrian Matejka discusses his new collection Map to the Stars, writing about poverty in contemporary poetry, and how racism maintains its place in our society.
Sound & Vision: Matt Sullivan
Allyson McCabe talks with Matt Sullivan, founder of Light in the Attic Records, about how he’s preserved the label's commitment to great music while also meeting the demands of a changing, and often challenging, market.
Sound & Vision: Ken Freedman
Allyson McCabe talks with Ken Freedman, the general manager of WFMU (the longest-running freeform radio station in the US), about the relevance of radio, technological innovation, and a just-launched morning show.
You’ve Got Mail and the Internet of Ordinary People
You’ve Got Mail was one of the first movies to depict the Internet as it affects the lives of ordinary users.
The Rumpus Interview with Annie DeWitt
Annie DeWitt discusses her debut novel, White Nights in Split Town City, the 90s, and the brutality of nature.
Neon Green by Margaret Wappler
Rebecca Johns reviews Neon Green by Margaret Wappler today in Rumpus Books.
The Rumpus Interview with Rebecca Schiff
Rebecca Schiff discusses her debut collection The Bed That Moved, choosing narrators who share similarities with each other and with herself, and whether feminism and fiction-writing conflict.