Homer understood in the 8th century BCE what modernity has yet to accept—love can be an addiction, and when it is, we need substantial outside help. Angela Chen writes for…
Rob Roberge talks about his new memoir, Liar, the differences between writing fiction and writing memoir, and why every narrator is an unreliable narrator.
Elizabeth Kadetsky talks about her new novella On the Island at the Center of the Center of the World, writing about trauma and external forces, and coming to fiction from journalism.
Plankton either grows into something other than plankton—a strong swimming non-planktonic adult, like a crab or a fish, or it stays the same—forever drifting with the shifting tides.
Zarina Zabrisky talks about her new book, Explosion, the art of the short story, Russia and Ukraine, and being "a Jewish pessimist in the spirit of Shalom Aleichem."
The representation of writing students in film is an interesting one, as Leah Schnelbach explores for Electric Literature. There exists a trend in which writing students are shown to be young…
One of the least talked-about and most heartfelt tracks off Vince Staples’s identify-defining album, Summertime ’06, dispenses with the bravado of his other lyrics. At the same time, “Jump Off…