The Rumpus Book Club chats with Martin Seay about his debut novel The Mirror Thief, the Great Work of alchemy, researching optical prosthetics, and keeping plot lines straight in a 600-page novel.
The more narratives that approach reality "differently" get treated as "insane" or "unreal," the less readers are exposed to them, and the more "unreal" or "insane" they seem. It's like a feedback loop.