I can’t help but wonder what if, in detangling love stories and our relationships to them, Catron is building yet another narrative—an anti-narrative, perhaps—of love.
We’re halfway through June, and though the first day of summer isn’t technically until June 21, I think we can all agree that we’re well into the sweltering season. This week’s…
Lee Clay Johnson discusses his novel Nitro Mountain, growing up with bluegrass musician parents, and what people are capable of under the right set of circumstances.
I think I always knew this story about the rural road where I grew up needed to be told. At the Believer, Annie DeWitt talks to Brandon Hobson about realism,…
Rebecca Schiff discusses her debut collection The Bed That Moved, choosing narrators who share similarities with each other and with herself, and whether feminism and fiction-writing conflict.
Annie Liontas talks about her debut novel Let Me Explain You, crafting voices, and the benefits—and occasional pitfalls—of returning to get an MFA after years of writing in the dark.
Saturday 7/4: Macy’s celebrates independence from the English King with fireworks. East River, 9 p.m., free. Monday 7/6: Tony Hoagland reads from Twenty Poems That Could Save America. BookCourt, 7…
I’ll admit that I was so into sentence construction when I started working with Amy that I had zero interest in character development. Hempel subtly persuaded me, partially through introducing…
I couldn’t wait to read it, but I was also infinitely patient. It’s that delayed gratification thing. I’m a sucker for it, and there are books that are worth the wait.
Amy Hempel started writing fiction in her late twenties when she took a workshop with Gordon Lish at Columbia; she stayed in this workshop as a student for years. In…