Scaling The National through Poetics: A dialogue between Rodrigo Toscano and Paisley Rekdal
Transient feelings about feelings of deliverance from (I’d say, national) anxiety. People are micro-dosing on sentimental poetry.
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Join NOW!Transient feelings about feelings of deliverance from (I’d say, national) anxiety. People are micro-dosing on sentimental poetry.
...moreJo Lloyd discusses her debut story collection, SOMETHING WONDERFUL.
...moreDeborah A. Miranda discusses her new collection of poetry, ALTAR FOR BROKEN THINGS.
...moreKelly Harris-DeBerry discusses her debut poetry collection, FREEDOM KNOWS MY NAME.
...moreNatalie Diaz discusses her new collection, POSTCOLONIAL LOVE POEM.
...moreThe banning of women’s nipples is, of course, violence in and of itself.
...moreLaura Lippman discusses her newest novel, LADY IN THE LAKE.
...moreEzra Claytan Daniels discusses the new graphic novel BTTM FDRS.
...more“[Y]ou really want to engage a reader, and not abuse their time.”
...moreLisa Lenzo discusses her new story collection, UNBLINKING.
...moreKendra Allen discusses her debut essay collection, WHEN YOU LEARN THE ALPHABET.
...moreBlair Hurley discusses her debut novel, THE DEVOTED.
...moreDavid Rocklin discusses The Night Language, the larger landscape of appropriation and empathy, immigration and power structures, and intimacy and representation.
...moreIn the past year, the writing process has become, for me, a way to navigate between the present and the past, between what I have access to and what I will never know.
...moreI don’t tell him that just because I happen to be black and he happens to be dating me means that there’s no chance that he could be a racist. I am not a pass.
...moreI am not willing to let go of one of the only things that truly belong to my people and me. It’s a very exclusive, very tumultuous kind of privilege.
...moreWhat I need is for white people to stop calling the Honorable Representative Maxine Waters “Auntie.” For real. It needs to stop.
...moreIn 2016, Lillian-Yvonne Bertram’s writing won the Narrative Poetry Contest. Bertram’s work is formally and thematically expansive and this sampling, called “Facts About Deer and Other Poems,” showcases her incredible range. In the poem “They were armed with long guns”—a poem written in ten parts—the sections move between lists, plain declarations like, “You know // […]
...moreThe way I think about my writing is similar to the way I think about my kink—both have to do with history and the ethics around appropriation.
...moreIn my last column, the Muse inspired me to write about dreams. And since then, I’ve been thinking about other types of altered consciousness. As a guy who often hangs out with Catholic monks, and who practices “Will Rogers spirituality”—that is, I’ve never met a religion I didn’t like—I take an interest in miracles and […]
...morePatrick Madden teaches writing at Brigham Young University and is the author of the essay collection Quotidiana. His essays frequently appear in literary magazines and have been featured in The Best Creative Nonfiction and The Best American Spiritual Writing anthologies. He pays close attention to the details of the every day, infusing humor and self-deprecation, combining […]
...moreIben Mondrup and Kerri Pierce discuss the translation of Justine, Mondrup’s 2012 Danish novel about a young artist in Denmark.
...moreKaitlyn Greenidge, author most recently of We Love You, Charlie Freeman (Algonquin Books) provides her take on Lionel Shriver’s recent remarks at the Brisbane Writers’ Festival for the New York Times. Greenidge recalls writing her first novel in which there was an eighty-year-old Yankee heiress. “I was struck by an awful realization. I would have to love […]
...moreIn response to the world’s general assumption that James Turrell was heavily involved in Drake’s video for “Hotline Bling,” the seminal light artist has come out with a formal statement that he did not, in fact, have anything to do with Director X’s portrayal of what look like direct copies of some of his most famous pieces. […]
...moreIt is difficult to tell when Goldsmith is being genuine. That is the nature of his work, which he has suggested people don’t need to read to understand, and of his online presence.
...moreThe New York Comics & Picture-Story Symposium is a weekly forum for discussing the tradition and future of text/image work. Open to the public, it meets Monday nights at 7-9 p.m. EST in New York City.
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