From the Archive: Rumpus Original Fiction: No Good
The sounds that she would expect here are entirely absent. There are no cries, no weeping. Just soothing, muffled tones.
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architecture
35 posts
Trying to See a Future: Talking with Beth Gilstrap
Beth Gilstrap discusses her new story collection, DEADHEADING.
Queer Disruptions: Talking with Bishakh Som
Bishakh Som discusses her debut graphic story collection, APSARA ENGINE.
Love Thy Neighbor: Talking with Yewande Omotoso
Writer, poet, and architect Yewande Omotoso discusses her second novel, The Woman Next Door, Cape Town’s haunting beauty, and mythologies about motherhood.
Sunday Rumpus Fiction: Quietly the Flood
If anyone was old pals it was Leona and the house. Was she friends with a house?
Writing Romance: The Rumpus Interview with Sonali Dev
Sonali Dev talks about her latest novel, A Change of Heart, the romance genre, writing non-white characters, and the parallels between writing and architectural design.
The Rumpus Interview with Abraham Burickson
Rick Moody talks with Abraham Burickson, Artistic Director of Odyssey Works, a San Francisco-based theater company whose works are designed for an audience of one.
The Sunday Rumpus Essay: Never Let Me Go
"You can’t hold on to the past," Elif once told me. "You don’t know how. You don’t know what to keep, what to throw away. So you keep it all. And you can’t do that. No one can."
The Poet and the City
For the Los Angeles Review of Books, Stephen Kessler takes us through a pantheon of his favorite Los Angeles landmarks. He writes: Buildings are constructed and routinely erased, yet they…
The Rumpus Interview with Jonathon Keats
Experimental philosopher Jonathon Keats discusses Buckminster Fuller, three-wheeled cars, domed cities, climate change, and cameras with a 100-year exposure time.
Restoring the World’s Oldest Library
when I worked for him I understood what kind of architect I wanted to be. He’s a very humane and generous person, and I understood that I didn’t want to…
Embracing Brutalism
Brutalist architecture—those hulking, concrete buildings from the mid-1950s to mid-1970s—is making a quiet comeback in popularity. A new book by Christopher Beanland, Concrete Concept explores why: And the sheer variety…