Arielle Bernstein
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Weekend Rumpus Roundup
In a focused and engaging Saturday Interview, Arielle Bernstein talks to essayist Karrie Higgins—the author of a 2015 Best American Essay titled “Strange Flowers”—about the generative quality of chaos within the creative process. Higgins points to the influence of forensic science on her approach.…
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The Saturday Rumpus Interview: Karrie Higgins
The more narratives that approach reality “differently” get treated as “insane” or “unreal,” the less readers are exposed to them, and the more “unreal” or “insane” they seem. It’s like a feedback loop.
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Weekend Rumpus Roundup
First, Brandon Hicks contemplates the strange game of pricing art in “The Forgetful Painter.” And in the Saturday Interview, Arielle Bernstein talks to illustrator Ijeoma Oluo about her new publication, Badass Feminist Coloring Book, and the surprises she encountered while creating it.…
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The Saturday Rumpus Interview: Ijeoma Oluo
Ijeoma Oluo discusses feminism, coloring, badass women, and being a troller of trolls.
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Kill Them All
Arielle Bernstein, Rumpus Film/TV/Media and Saturday Editor, writes about Rihanna, bitches, and blood over at Salon: Women are raised on images of toxic masculinity just like the men around us are. Many of us also played “Grand Theft Auto” and watched…
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Weekend Rumpus Roundup
First, Brandon Hicks finds the essence of military conflict in his comic, “War.” Then, Arielle Bernstein talks to self-proclaimed “anti-racist feminist” Tamara Winfrey-Harris in the Saturday Interview. Winfrey-Harris’s blog, What Tami Said, provides some of the material for an essay collection…
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Weekend Rumpus Roundup
First, Julie Marie Wade points to Tod Marshall’s skillful use of call and response in his new poetry collection, Bugle. The theme of mortality punctuates this “fierce” and “stunning” book. Marshall’s speaker, Wade writes, “contemplates what we think we know…
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The Saturday Rumpus Interview: Jacob Wren
Jacob Wren discusses his newest novel, Polyamorous Love Song, the relationship between art and ethics, and whether Kanye West is a force for good in the art and music world.
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Weekend Rumpus Roundup
First, say hello to our new Saturday media editor, Arielle Bernstein! Then, in “All The World’s A Stage,” Grant Snider neatly illustrates our inner performer. Poet Kent Shaw marvels at the “glandular muscularity” of water as a theme in Harmony…
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Men With Women; Women With Men: Fight Club, 15 Years Later
Fight Club was never a fairytale. It’s a painful howl into a night that probably isn’t listening and that is more a cry of pain than a drive to hurt.
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The Rumpus Review of Obvious Child
Obvious Child is sweetness, swaddled in a dirty joke. It’s the delicate pastel world of Wes Anderson, where characters are imperfect but want to get better. Where every asshole, in the end, has a really big heart.
