Posts Tagged: art world

Criticism as a Life Practice: A Conversation with Yxta Maya Murray

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Yxta Maya Murray discusses her new novel, ART IS EVERTHING.

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Art Is Everything: Talking with Alex DiFrancesco

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Alex DiFrancesco discusses their new novel, ALL CITY.

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The (Pleasurable) Anxiety of (Aesthetic) Influence: Bill Berkson’s A Frank O’Hara Notebook

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Long after O’Hara died, O’Hara was still influencing, shaping, editing, Berkson.

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The Sacred Act of Art-Making: A Conversation with Patrick Coleman

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Patrick Coleman discusses his debut novel, THE CHURCHGOER.

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You Are Your Own Director: A Conversation with Karen Finley

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Karen Finley discusses her most recent book, GRABBING PUSSY.

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Rumors, Ghosts, and Art: Talking with Jared Pappas-Kelley

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Jared Pappas-Kelley discusses his forthcoming book, SOLVENT FORM.

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Make Your Choices: A Conversation with Chris Kraus

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Chris Kraus discusses her latest book, After Kathy Acker: A Literary Biography, writing about art under patriarchy, politics, and “the truth.”

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The Rumpus Book Club Chat with Iben Mondrup and Kerri Pierce

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Iben Mondrup and Kerri Pierce discuss the translation of Justine, Mondrup’s 2012 Danish novel about a young artist in Denmark.

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The Rumpus Interview with Bruce Bauman

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Bruce Bauman discusses his latest book, Broken Sleep, why rock isn’t dead (yet), how humor makes life bearable, and why we should reinstate the draft.

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The Rumpus Interview with Garth Risk Hallberg

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Garth Risk Hallberg talks about his debut, City on Fire, living in New York City now and in the ’70s, and the anxiety and gratitude you feel when your first novel generates so much buzz.

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The Rumpus Interview with Christopher Bollen

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Author Christopher Bollen talks about his sophomore novel, Orient, secrets and privacy, sexual orientation in fiction, and the lost art of the whodunit mystery.

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Young Artist, Mean World

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The art world is a rough place, which is the practical thought behind art schools offering courses on grant-writing and portfolio building. Still, even with the presence of these utilitarian courses, when embarking on your formative artistic education, how can you conceive of the difficulties ahead? Not just the capitalistic ones, but the problems with […]

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