All these flavors, and Kaulie Lewis chooses to be salty. At The Millions, she gives us an ode to literary jealousy—the regret that one will never be able to claim credit…
The Rumpus talks to Sean Michaels about his new book, Us Conductors, challenging a reader’s empathy, and a true, strange musical instrument: the theremin.
Amanda Shubert’s essay “Love in Excess: Joe Wright’s Anna Karenina” takes two of Wright’s film adaptations, Pride and Prejudice (2005) and Atonement (2007), and perceptively compares and contrasts them to Anna…
On the first day of June, I found myself crying over my dinner while watching Atonement. It was thunderstorming outside, and the rain roared as it pounded on the pavement.…
It has come to my attention that you keep adapting my favorite novels [see Atonement, Revolutionary Road, et. al.], and turning them into mediocre movies. Cease and desist! Get your own ideas!