Redefining Manhood: A Conversation with James Hornor
James Hornor discusses his new novel, VICTORIA FALLS.
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Join NOW!James Hornor discusses his new novel, VICTORIA FALLS.
...moreSophia Shalmiyev discusses her debut memoir, MOTHER WINTER.
...moreTyrese Coleman discusses her debut memoir, HOW TO SIT.
...moreTheresa Griffin Kennedy discusses her new story collection, BURNSIDE FIELD LIZARD.
...more“The leaps that fill in the gaps between ideas are the best thing about reading.”
...more“We need narrative patterns to understand reality.”
...moreChris Kraus discusses her latest book, After Kathy Acker: A Literary Biography, writing about art under patriarchy, politics, and “the truth.”
...moreRumaan Alam discusses his new novel, That Kind of Mother, the limits of the employer-employee relationship, and the grossness of heterosexual sex.
...moreLaurie Stone discusses her story collection, My Life as an Animal, writing about death, how the reader doesn’t care about you, and the Third Iago.
...moreNicole Krauss discusses her new novel Forest Dark, provoking questions about reality with her work, and trusting readers to think for themselves.
...moreKarolina Ramqvist discusses The White City, her first novel to be translated to English, and the idea of a writer’s persona out in the world versus a just being a writer, writing.
...more“Where does one draw the line when you as a person believe in progress, but as a writer feel like you need to focus on people who would challenge that, who would ask us to regress?”
...moreIf people cannot be captured, if “there are only erasures,” then might as well seek them in elisions, where their potential remains.
...moreMila Jaroniec talks about her debut novel Plastic Vodka Bottle Sleepover,” writing autofiction, the surprising similarity between selling sex toys and selling books, and the impact of having a baby on editing.
...moreAutofiction is in these days. Discussing her first novel Fantasian at the Asian American Writers’ Workshop’s The Margins blog, Larissa Pham unpacks her perspective on inserting autobiographical elements into fiction: I knew that no matter what I wrote in my novella, given my history of truth-telling, there would be an implication that it was true. That it had happened. […]
...moreLike every other year, in 2015 we wrestled with the knowledge of our constructed selves. But rather than eschew personhood as a postmodernist might, we considered just who we’ve been inventing: What do you write about when you no longer put stock in the idea—the narrative—that nature exists objectively and independently of our stories about […]
...moreThe death of the novel has been argued and rebutted and argued again. Drawing from David Shields‘s book of literary criticism, Reality Hunger: A Manifesto, Alexander Nazaryan wonders whether the essay might do a better job: Reality Hunger argues that to survive, the novel must become less like itself, to just stop with the whole […]
...moreFor Flavorwire, Jonathon Sturgeon declares 2014 the year that the postmodern novel died and the year that autofiction—a “new class of memoiristic, autobiographical and metafictional novels”—rose to take its place.
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