A Different Kind of Butterfly Effect: Frances Cha’s If I Had Your Face
[Y]ou can’t grow up in a cultural milieu and be immune to what it loves.
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Join NOW![Y]ou can’t grow up in a cultural milieu and be immune to what it loves.
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...moreIf the eyes are the window to the soul, then the drapes should match the wallpaper. Fix what you got and then flaunt what you fixed!
...moreThis week, a new Maggie Shipstead story at Virginia Quarterly Review explores love, infidelity, and the ways life can slip from under your feet like an avalanche. Bonus: there is also a literal avalanche. The story, “Backcountry,” follows a twenty-five-year-old ski instructor named Ingrid (#1 baby name for future ski instructors) who meets a fifty-plus-year-old […]
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...moreRachel Vorona Cote writes about the aesthetics of crying for The New Republic: To cry this way—vigorously, heartily, vulgarly—reveals vulnerability at the same time that it conveys physical might and mettle. Our bodies can speak for themselves, says the ugly cry. Women do not exist merely through representation; we are neither watercolor nor clay. For […]
...moreRachel Vorona Cote writes about how people use beauty to undermine the words of women: I understood, as I continue to understand with distressing nuance, that too many men navigate the terror of women’s brilliance by reducing them to skin and bone. When a man’s argument, undressed of its trappings, is an effete protest against […]
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...moreSuzanne Clores talks with novelist Christine Sneed about Paris, beauty, and her latest book, Paris, He Said.
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