Borges
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Is Writing Useless?
My compulsion to write does not occlude the uselessness of filling pages with words. I know that what I do is pointless, one more message in a bottle in a moment when everyone else around me is also casting messages…
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My Evenings Reading Alone
For nearly ten years I had lain beside him: the snoring was a blow, but, looking back, it was also a necessary portent, an etch in our story, the fuzzy spot on a picture frame you can’t tell is from…
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The Rumpus Interview with Paul Griner
Paul Griner talks about his newest novel, Second Life, his just-released story collection Hurry Please I Want to Know, putting real life into fiction, and whether creative writing can be taught.
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The Original Copycat
Tim Youd has recently undertaken the task of reproducing Kingsley Amis’s Lucky Jim, but the Guardian says the idea of copying classic novels is not so original; Pierre Menard, a character in a Borges story, did it first: Although the words themselves…
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Letting Them Go
Down at the Atlantic, Nathaniel Rich touches on Kazuo Ishiguro, memory, and literature’s Borgesian debts: The answer, as most readers will intuitively conclude, lies between two extremes. Forget everything and you lose your soul; remember everything and you lose the ability…
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The Fantastic Joseph Conrad
In honor of Joseph Conrad’s birthday on December 3, the Paris Review blog posted Conrad’s author’s note to The Shadow Line, which ruminates on marvels and mysteries.
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Song of the Day: “The Singing Tree”
According to the experimental folk artist Mike Cooper, there is a tree in Almuñécar, in Southern Spain, that used to attract hundreds of birds. It inspired him to write the “avante folk” song “The Singing Tree,” off his recently reissued double…
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Foreign and Apart
BOMB Magazine’s gotten a hold of Valeria Luiselli, and it’s really a treat to behold; asked about the fluidity of fiction in her essays, her response was more than candid: Well, that’s the whole point; there are no rules in…
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Borges and Sartre at the Movies
Turns out that both Jorge Luis Borges and Jean-Paul Sartre reviewed Orson Welles’s masterpiece Citizen Kane, and neither of them particularly cared for the film. Needless to say, the director didn’t take this very well. Head over to the Paris…
